Guidebook for Athens

Athenian Houses
Athenian Houses
Guidebook for Athens

Food Scene

It has the most delicious pizza in Athens! Very good prices and amazing quality!
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Ciao Italia S.A.
4 Spirou Merkouri
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It has the most delicious pizza in Athens! Very good prices and amazing quality!
Amazing souvlaki in very good prices and amazing quality!
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To Pikantiko
23 Eftichidou
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Amazing souvlaki in very good prices and amazing quality!

Drinks & Nightlife

Cause it is the classic spot in the area with affortable prices and amazing drinks!
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Chelsea Hotel
και Proklou
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Cause it is the classic spot in the area with affortable prices and amazing drinks!

Sightseeing

The Acropolis Museum, located on the sacred rock, east of the Parthenon, houses some of the most important sculptures of ancient Greek art. It is one of the most important museums in the world. Exhibits include sacred sculptures from the temple of Athena Polias on the Acropolis, architectural sculptures of Archaic buildings, parts of the pediments, metopes and frieze of the Parthenon, sculptures from the temple of Athena Nike, as well as the Caryatids from the Erechtheion.
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Imuziyamu ye-Acropolis
15 Dionysiou Areopagitou
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The Acropolis Museum, located on the sacred rock, east of the Parthenon, houses some of the most important sculptures of ancient Greek art. It is one of the most important museums in the world. Exhibits include sacred sculptures from the temple of Athena Polias on the Acropolis, architectural sculptures of Archaic buildings, parts of the pediments, metopes and frieze of the Parthenon, sculptures from the temple of Athena Nike, as well as the Caryatids from the Erechtheion.
Temporarily remodelled to cover the needs of the Greek Presidency of the European Economic Community Athens, 1874-88 and remodelling 1982 Architects Theophilus von Hansen (1813-1891) François-Louis-Florimond Boulanger (1807-1875), initial designs Remodelling architect 1982: Vassilis Sgoutas (1934-) The Zappeion Exhibition Hall, one of the outstanding examples of late Athenian classicism, is one of the archetypes of Greek public architecture. The purpose of the building, which was funded by Evangelis and Constantinos Zappas, Greeks from Romania, was to house an exhibition hall in conjunction with the first modern Olympic Games held in Athens.
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Zappeio Hall
Leoforos Vasilissis Olgas
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Temporarily remodelled to cover the needs of the Greek Presidency of the European Economic Community Athens, 1874-88 and remodelling 1982 Architects Theophilus von Hansen (1813-1891) François-Louis-Florimond Boulanger (1807-1875), initial designs Remodelling architect 1982: Vassilis Sgoutas (1934-) The Zappeion Exhibition Hall, one of the outstanding examples of late Athenian classicism, is one of the archetypes of Greek public architecture. The purpose of the building, which was funded by Evangelis and Constantinos Zappas, Greeks from Romania, was to house an exhibition hall in conjunction with the first modern Olympic Games held in Athens.
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Plaka
24 Mnisikleous
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It was originally a natural hollow part of the ground between the two hills of Agra and Ardettos, over Ilissos river. It was transformed into a stadium by Lykourgos in 330-329 BC for the athletic competitions of the Great Panathinaea Festivities. Between 140 and 144 AD, Herodes Atticus restored the Stadium, giving it the form that was found at the 1870 excavation: the horseshoe construction with a track 204,07 meters long and 33,35 meters wide. It is believed that the Stadium had a seating capacity of 50.000 people. Separating scales were built between the tiers and on the base of the sphendone there was a portico with Doric-style columns; another portico was placed in the stadium's facade.
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Istadiyamu ye-Panathenaic
Leoforos Vasileos Konstantinou
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It was originally a natural hollow part of the ground between the two hills of Agra and Ardettos, over Ilissos river. It was transformed into a stadium by Lykourgos in 330-329 BC for the athletic competitions of the Great Panathinaea Festivities. Between 140 and 144 AD, Herodes Atticus restored the Stadium, giving it the form that was found at the 1870 excavation: the horseshoe construction with a track 204,07 meters long and 33,35 meters wide. It is believed that the Stadium had a seating capacity of 50.000 people. Separating scales were built between the tiers and on the base of the sphendone there was a portico with Doric-style columns; another portico was placed in the stadium's facade.
The Acropolis hill (acro - edge, polis - city), so called the "Sacred Rock" of Athens, is the most important site of the city and constitutes one of the most recognizable monuments of the world. It is the most significant reference point of ancient Greek culture, as well as the symbol of the city of Athens itself as it represent the apogee of artistic development in the 5th century BC. During Perikles' Golden Age, ancient Greek civilization was represented in an ideal way on the hill and some of the architectural masterpieces of the period were erected on its ground.
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I-Acropolis yase-Athens
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The Acropolis hill (acro - edge, polis - city), so called the "Sacred Rock" of Athens, is the most important site of the city and constitutes one of the most recognizable monuments of the world. It is the most significant reference point of ancient Greek culture, as well as the symbol of the city of Athens itself as it represent the apogee of artistic development in the 5th century BC. During Perikles' Golden Age, ancient Greek civilization was represented in an ideal way on the hill and some of the architectural masterpieces of the period were erected on its ground.
The Temple of Olympian Zeus (Olympeion) was an enormous structure, the largest temple in Greece, exceeding even the Parthenon in size. Work began on this vast edifice in 515 BCE during the reign of the tyrant Peisistratos, who initiated the building work to gain public favor. Although there were several attempts over many years to finish the temple, it was not completed until 132 CE by the Emperor Hadrian. Although begun in the 6th century BC, it was not completed until the reign of the Emperor Hadrian in the 2nd century AD. In the Hellenistic and Roman periods it was the largest temple in Greece.
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Ithempeli ye-Olympian Zeus
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The Temple of Olympian Zeus (Olympeion) was an enormous structure, the largest temple in Greece, exceeding even the Parthenon in size. Work began on this vast edifice in 515 BCE during the reign of the tyrant Peisistratos, who initiated the building work to gain public favor. Although there were several attempts over many years to finish the temple, it was not completed until 132 CE by the Emperor Hadrian. Although begun in the 6th century BC, it was not completed until the reign of the Emperor Hadrian in the 2nd century AD. In the Hellenistic and Roman periods it was the largest temple in Greece.
The Agora was the heart of ancient Athens, the focus of political, commercial, administrative and social activity, the religious and cultural centre, and the seat of justice. The site was occupied without interruption in all periods of the city's history. It was used as a residential and burial area as early as the Late Neolithic period (3000 B.C.). Early in the 6th century, in the time of Solon, the Agora became a public area. After a series of repairs and remodellings, it reached its final rectangular form in the 2nd century B.C. Extensive building activity occured after the serious damage made by the Persians in 480/79 B.C., by the Romans in 89 B.C. and by the Herulae in A.D. 267 while, a
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I-Ancient Agora of Athens
24 Adrianou
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The Agora was the heart of ancient Athens, the focus of political, commercial, administrative and social activity, the religious and cultural centre, and the seat of justice. The site was occupied without interruption in all periods of the city's history. It was used as a residential and burial area as early as the Late Neolithic period (3000 B.C.). Early in the 6th century, in the time of Solon, the Agora became a public area. After a series of repairs and remodellings, it reached its final rectangular form in the 2nd century B.C. Extensive building activity occured after the serious damage made by the Persians in 480/79 B.C., by the Romans in 89 B.C. and by the Herulae in A.D. 267 while, a
Athens has a couple of vantage points besides the Acropolis, from which you can get superb views of the city. Lycabettus Hill is really a limestone rock reaching almost 1,000 feet into the once-crystalline Athenian sky. In the evening, the top half is floodlit, and from the Acropolis it looks something like a giant souffle. By day, it's a green-and-white hill toppoed by a tiny, flaringly white church, Agios Georgios. Don’t try to walk up (pilgrims used to, but it’s an Everest for the faithless), and don’t try to take a cab, because it only goes half-way and you still have quite a hike to get to the top. Take the two-minute funicular up the southeast flank. To get there, follow the “telepher
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Izindawo Zokubuka Mount Lycabettus
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Athens has a couple of vantage points besides the Acropolis, from which you can get superb views of the city. Lycabettus Hill is really a limestone rock reaching almost 1,000 feet into the once-crystalline Athenian sky. In the evening, the top half is floodlit, and from the Acropolis it looks something like a giant souffle. By day, it's a green-and-white hill toppoed by a tiny, flaringly white church, Agios Georgios. Don’t try to walk up (pilgrims used to, but it’s an Everest for the faithless), and don’t try to take a cab, because it only goes half-way and you still have quite a hike to get to the top. Take the two-minute funicular up the southeast flank. To get there, follow the “telepher
A representative sample of the early period of Neoclassicism in Greece, the building is an abstemious work of strict geometry in its mass. The formation of its spaces forms a frame and a central rectangular body that separates the opening in between in two courtyards. Doric-style column rows stand in front of the facade and the back (eastern) side. It was built between 1836 and 1840 based on the study of the Bavarian architect Fr. Goertner. Originally it served as a palace of Otho, the first King of Greece after the end of the Turkish occupation, who moved from Nauplion (initial royal seat and temporary capital of the Hellenic State) to Athens in 1834. The expenses of its construction were
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Hellenic Parliament
2 Βουλής
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A representative sample of the early period of Neoclassicism in Greece, the building is an abstemious work of strict geometry in its mass. The formation of its spaces forms a frame and a central rectangular body that separates the opening in between in two courtyards. Doric-style column rows stand in front of the facade and the back (eastern) side. It was built between 1836 and 1840 based on the study of the Bavarian architect Fr. Goertner. Originally it served as a palace of Otho, the first King of Greece after the end of the Turkish occupation, who moved from Nauplion (initial royal seat and temporary capital of the Hellenic State) to Athens in 1834. The expenses of its construction were
Going up the pedestrian Dionysiou Areopagitou Street and on and past the theatre of Dionysus and other important monuments, one comes to the Odeon of Herodes Atticus, also known as the Herodeion. It was Built in about AD 160. Today the Odeon functions as a theatre and in the summer months it hosts concerts and performances of ancient drama, lyric theatre and dance as part of the Athens Festival.
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Odeon waseHerodes Atticus
Dionysiou Areopagitou
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Going up the pedestrian Dionysiou Areopagitou Street and on and past the theatre of Dionysus and other important monuments, one comes to the Odeon of Herodes Atticus, also known as the Herodeion. It was Built in about AD 160. Today the Odeon functions as a theatre and in the summer months it hosts concerts and performances of ancient drama, lyric theatre and dance as part of the Athens Festival.
At Thisseion, on the hill of the Nymphs, a neoclassical building of the 19th century houses the first Observatory that was founded in Greece and in the Balkans. The building, which was erected in 1842 by the Danish architect Theophile Hansen with the financial aid of Georgios Sinas, is a cross-in-square building, which has an exposure to all four points of the horizon.
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National Observatory of Athens
& Metaxa
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At Thisseion, on the hill of the Nymphs, a neoclassical building of the 19th century houses the first Observatory that was founded in Greece and in the Balkans. The building, which was erected in 1842 by the Danish architect Theophile Hansen with the financial aid of Georgios Sinas, is a cross-in-square building, which has an exposure to all four points of the horizon.

Parks & Nature

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Pangrati Grove
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The National Gardens or Vassilikos Kipos (Royal Gardens in Greek as it was formerly known) is a peaceful, green refuge of 15.5 hectares in the center of the Greek capital. It is located directly behind the Greek Parliament building (The Old Palace) and continues to the south to the area where the Zappeion is located, across from the Panathenaiko or Kalimarmaro Olympic Stadium of the 1896 Olympic Games. The Garden also encloses some ancient ruins, tambours and Corinthian capitals of columns, mosaics. etc. On the south-east there are the busts of Capodistrias, first Governor of Greece and of the great Philhellene Eynard and on the south side the bust of the celebrated Greek poets Dionysios Sol
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Isithole Sethu
1 Leoforos Vasilisis Amalias
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The National Gardens or Vassilikos Kipos (Royal Gardens in Greek as it was formerly known) is a peaceful, green refuge of 15.5 hectares in the center of the Greek capital. It is located directly behind the Greek Parliament building (The Old Palace) and continues to the south to the area where the Zappeion is located, across from the Panathenaiko or Kalimarmaro Olympic Stadium of the 1896 Olympic Games. The Garden also encloses some ancient ruins, tambours and Corinthian capitals of columns, mosaics. etc. On the south-east there are the busts of Capodistrias, first Governor of Greece and of the great Philhellene Eynard and on the south side the bust of the celebrated Greek poets Dionysios Sol

Shopping

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Attika Department Stores S.A.
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Arts & Culture

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Iziko lezobuciko ze-Cycladic
4 Neofitou Douka
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